{"id":6117,"date":"2024-04-21T16:15:43","date_gmt":"2024-04-21T21:15:43","guid":{"rendered":"https:\/\/umbrella.gallery\/?post_type=product&p=6117"},"modified":"2024-04-21T16:43:48","modified_gmt":"2024-04-21T21:43:48","slug":"exit","status":"publish","type":"product","link":"https:\/\/umbrella.gallery\/product\/exit","title":{"rendered":"Exit"},"content":{"rendered":"
SKY SCULPTURES<\/span><\/p>\n For Miller, the 3,239.7 miles of Texas Interstate Highways is an immense concrete jungle. For Miller, he sees beauty in the concrete: the vast number of over and under passes, multi-lane highways and interstates, and road signs and billboards become a blur of fantastic shapes, colors, lines, and form-related datasets. Miller merges his collective memories of urban life and nature with a collection of materials in his series titled SKY SCULPTURES to invite a poetic and futuristic contemplation of purposeful human, nature, and machine collaborations.\u00a0<\/span><\/p>\n Miller uses dense foam that has been cut and sculpted using an electric carving knife.<\/span> Each unique foam shape is soaked and dipped into a large tray filled with primer paint. Dry time is usually 4 to 6 days for each foam piece based on warm weather temperature conditions outside. Once dry, each foam shape is carefully painted and glued onto the canvas or birchwood panel.\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":" SKY SCULPTURES For Miller, the 3,239.7 miles of Texas Interstate Highways is an immense concrete jungle. For Miller, he sees beauty in the concrete: the vast number of over and under passes, multi-lane highways and interstates, and road signs and billboards become a blur of fantastic shapes, colors, lines, and…<\/p>\n","protected":false},"featured_media":6101,"template":"","meta":{"_acf_changed":false},"product_cat":[45],"product_tag":[],"acf":[],"yoast_head":"\n